197319741975 |
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Live Rhymin'Tour 1973Tracks List 1 Me And Julio Down By The Schoolyard |
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MAY 1973 |
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Boston, USA |
Boston Music Hall
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06 may |
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11 may |
Cincinatti |
Music Hall, USA / Ohio |
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12 may |
Chicago, USA |
Opera House (review in Chicago Tribune) |
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13 may |
Detroit, USA |
Masonic Temple – USA -MI |
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18 may |
ST Louis Missouri |
Kiel Opera HousePaul was having problems with his hand and could not play his guitar. |
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19 may |
Santa Monica CA |
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Live Rhymin' Europe Tour 1973
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?? may |
Londres, Angleterre |
Palladium Theater |
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?? may |
Live Berlin, |
Berliner Philarmoniker |
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19 may |
Santa Monica |
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JUNE 1973 |
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01 june |
New York, USA |
Carnegie Hall |
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02 june |
New York, USA |
Carnegie Hall |
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03 june |
New York, USA |
Carnegie Hall |
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07 june |
Londres, Angleterre |
Royal Albert Hall |
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08 june |
Londres, Angleterre |
Royal Albert Hall |
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10 june |
Uniondale, NY, USA |
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?? june |
Santa Monica, CA, USA |
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OCTOBER 1973 |
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12 oct |
Live Santa Monica, CA |
Civic Auditorium |
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13 oct |
Oxford, OH,USA |
Millett Hall |
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19 oct |
Ithica, NY, USA |
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20 oct |
Kent, OH ,USA |
Kent State Gym |
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26 oct |
Charlottesville VA,USA |
University Of Virginia |
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27 oct |
Carbondale IL,USA |
Southern Illinois UniversityLU Arena
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NOVEMBER 1973 |
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02 nov |
Champaign, USA |
Assembly Hall |
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03 nov |
Champaign IL, USA |
Assembly Hall |
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06 nov |
Uniondale NY, USA |
Nassau Veterans Memorial Coliseul |
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Date ?? |
Uniondale NY, USA |
Sesame StreetPaul Simon And The Kids sang The BeatlesPaul Simon sang St Judy's Comet and Me and Julio |
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JANUARY 1974 |
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01 jan |
Uniondale, NY, USA |
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FEBRUARY 1974 |
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02 feb |
Detroit, USA |
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MARCH 1974 |
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02 march |
Ohio, USA |
16th grammy awardsUris Theater, New York,Art Garfunkel and Paul Simon, Yoko Ono, and John Lennon, and Roberta Flack talk backstage .Garfunkel and Simon hold Grammys which they had accepted on behalf of Olivia Newton-John. |
Best pop vocal performance : Paul Simon There Goes rhymin' Simon Best album cover, other than classical : There Goes rhymin' Simon
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Live Rhymin'Japan Tour 1974
Tracks List Me & Julio |
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APRIL 1974 |
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01 april |
Osaka, Japan |
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03 april |
Osaka, Japan |
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05 april |
Aichi, Japan |
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09 april |
Tokyo, Japan |
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10 april |
Tokyo, Japan |
Budokan |
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19 april |
Tokio, Japan |
Nihon Budo-kan |
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20 april |
Tokio, Japan |
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Still Crazy Tour 1975
Tracks List Me & Julio |
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JANUARY 1975 |
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01 jan |
Washington, DC, USA |
Constitution Hall |
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?? jan |
Austin Texas |
Auditorium |
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?? jan |
Toronto, Canada |
CBS Record Convention |
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SEPTEMBER 1974 |
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20 sept |
New York, NY, USA |
Dick Cavett ShowPaul Sang :American Tune / Bridge Over Troubled Water / Love me Like A Rock |
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MAY 1975 |
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01 may |
New York, NY, USA |
Phil Ochs War Is Over Us |
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01 may |
New York, NY, USA |
Central Park |
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OCTOBER 1975 |
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01 oct |
San Francisco, CA |
Berkeley Community Theater |
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11 oct |
New York, NY |
Avery Fisher Hall |
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18 oct |
New York, NY |
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24 oct |
ORANGE, NJ |
SETON HALL UNIVERSITY (WALSH GYM) / SOUTH |
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25 oct |
Lewisburg, PA, USA |
Bucknell University, |
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26 oct |
Montclair, NJ, USA |
Montclair State College |
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29 oct |
New York, NY |
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31 oct |
Jesse H. Jones Hall for the Performing Arts |
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NOVEMBER 1975 |
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01 nov |
Austin |
Municipal Coliseum |
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02 nov |
University Park TX, USA |
McFarlin Auditorium |
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07 nov |
Philadelphia, PA, USA |
Academy of Music |
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08 nov |
Washington., DC |
AR Constitution Hall |
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09 nov |
Atlanta |
Fox Theatre |
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10 nov |
New York, NY, USA |
Avery Fisher Hall at Lincoln Center |
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14 nov |
Chicago, IL, USA |
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16 nov |
Toronto |
Massey Hall Canada Balcony |
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20 nov |
Santa Monica, CA, USA |
Santa Monica Civic Auditorium |
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21 nov |
Santa Monica, CA, USA |
Santa Monica Civic Auditorium |
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22 nov |
Berkeley, CA, USA |
Berkeley Community Theatre |
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28 nov |
New York |
Avery Fisher Hall |
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Still Crazy England UK Tour 1975Me and Julio Down by the Schoolyard |
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DECEMBER 1975 |
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05 dec |
Haarlem, Netherlands |
Concertgebouw |
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06 dec |
Amsterdam, Holland |
Carre |
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08 dec |
Manchester,Angleterre |
Manchester Place |
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?? dec |
Paris, France |
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09 dec |
Birmingham, Angleterre |
Hippodrome |
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10 dec |
Amsterdam, Netherlands |
Koninklijk Theater Carré |
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11 dec |
Londres, Angleterre |
Palladium Theater |
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12 dec |
Londres, Angleterre |
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13 dec |
Londres, Angleterre |
Palladium Theater |
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13 dec |
Londres, Angleterre |
BBC TVMichael Parkinson ShowSongwriting and the creative processSimon explains that songwriting is for him a slow, demanding, and often uncertain process. He says that songs rarely begin with a clear message; instead, they emerge from an attention to language, rhythm, and the sound of words. Meaning, he suggests, sometimes becomes clear only after the song is finished — even to the writer himself.He emphasizes how much he rewrites and discards material, describing songwriting as a solitary discipline that requires patience and persistence.Singing and performanceA major point of discussion is his relationship with his own voice. Simon says he has never thought of himself as a great singer, but rather as a songwriter. He openly acknowledges that some songs — most notably Bridge Over Troubled Water — were better suited to Art Garfunkel’s voice than his own.He speaks candidly about his vocal limitations, accepting them as part of his artistic identity rather than something to overcome.Simon & GarfunkelWhen discussing Simon & Garfunkel, Simon remains measured and unsentimental. He recognizes the duo’s achievements but explains that the breakup was necessary for his personal and creative development. He avoids bitterness or nostalgia, presenting the separation as an inevitable result of creative tension.He observes that their collaboration depended on a delicate balance that was difficult to maintain over time.Solo career and artistic freedomSimon describes his solo career as offering greater artistic freedom, allowing him to experiment more with song structure, lyrical ambiguity, and musical form. Although he does not yet reference world music directly, he suggests an openness to influences beyond conventional pop.Views on fame and successSimon expresses a cautious view of fame, suggesting that success can be harmful to creativity if it leads to repetition or complacency. He stresses that his primary goal is artistic integrity, even if it means disappointing public expectations. |
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