1983

FEBRUARY 1983

Simon and Garfunkel: Sebel Town House. February 03, 1983

JULY 1983

Late Night with David Letterman

In the first part of the conversation, the focus is on the 1983 tour. Both artists talk about the experience of performing together again in front of enormous audiences. Paul Simon explains that, despite the many years spent pursuing separate solo careers, the music they created together retains a special power when performed live. Art Garfunkel emphasizes the emotional impact of hearing tens of thousands of people sing their songs back to them, turning the concerts into a shared experience between artists and audience

Letterman then steers the discussion toward their long shared history. The duo briefly reflects on their early beginnings, including their teenage years performing under the name Tom & Jerry. These memories are recounted with humor and self-awareness, highlighting how improbable their journey must seem in retrospect—from neighborhood harmonies to worldwide fame.

Throughout the interview, the dynamic between Simon and Garfunkel is clearly visible. Paul Simon often takes the lead in answering questions and providing explanations, while Art Garfunkel contributes shorter comments, smiles, and lighter observations. There is no open conflict on display, but their contrasting personalities and communication styles are subtly apparent, something long-time fans readily recognize

True to the spirit of Late Night, the interview repeatedly shifts toward entertainment and comedy. Simon & Garfunkel take part in humorous segments and playful moments with Letterman, demonstrating that despite their reputation for thoughtful and sometimes serious songwriting, they are comfortable laughing at themselves and engaging in casual television antics.

Letterman’s role is central in maintaining this atmosphere. His ironic remarks and unexpected prompts prevent the conversation from becoming overly solemn or nostalgic. Importantly, the interview avoids revisiting past tensions or disagreements between the two musicians. Instead, it presents them as reunited collaborators enjoying the present moment rather than dissecting the past.

AUGUST 1983

SEPTEMBER 1983